10 Sep. 2010   Béla Bartók National Concert Hall
11 Sep. 2010   Béla Bartók National Concert Hall
12 Sep. 2010   Béla Bartók National Concert Hall

Bartók, B: Violin Concertos Nos.1 and 2 (Zehetmair, Budapest Festival Orchestra, I.Fischer)

For a long time I had few associations with Thomas Zehetmair, a native Salzburger who also leads his own string quartet and conducts the Northern Sinfonia in Britain. It was my loss, as this riveting, rapturous CD demonstrates. With dizzying virtuosity, elan, and variety, Zehetmair transforms the great Bartok Cto. #2 for violin. The work is so quicksilver that it demands hair-trigger changes of mood, and Bartok's violin writing is so quirky and personal that it, too, demands real imagination. Zehetmair has everything the piece needs. In addition, the recording is of demonstration quality, especially when it comes to the violin itself, which is rendered with amazing vitality. Ivan Fischer's core strength is Bartok, of course -- here he doesn't rest on his laurels. The orchestral part is symphonic in scope,and he realizes its sweep and kaleidoscopic variety. Tempos are faster than normal, the added propulsiveness being used to dramatic effect.

What more can one say? Not many American collectors would look to either Zehetmair or Berlin Classics for a recording that puts Stern and Bernstein or shaham and Boulez in the shade. Yet without a doubt this is a superlative performance.

Santa Fe listener, Amazon.com
19 July 2010

 

One senses {in Bartók`s Concerto for Orchestra} that the players are being driven to the very limits of their abilities, which only serves to intensify the excitement. While not meaning to sound like an Iván Fischer `groupie`, I am delighted to welcome yet another winner from this wonderfully responsive orchestra.
Gramophone, January 1999, R(ob) C(owan)
 

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