10 Sep. 2010   Béla Bartók National Concert Hall
11 Sep. 2010   Béla Bartók National Concert Hall
12 Sep. 2010   Béla Bartók National Concert Hall

Dvorák: Symphonies Nos. 8 & 9

Featured Artist: Ivan Fischer

Performance: 4 (on scale of five)

Time: 78:12
Label:Channel Classics [90110]

As orchestras and conductors have been demonstrating for more than a century, you don't have to be Bohemian to play Dvorák. All you need is profound musicality, a deep love of life, and an overwhelming urge to communicate. These are all qualities that Ivan Fischer and the Budapest Festival Orchestra demonstrate in full in this 2000 Channel Classics recording of the composer's Eighth and Ninth symphonies. In these performances, one hears not only edge-of-the-chair excitement from the Hungarian musicians, one hears joy, happiness, and good old-fashioned fun. Listen to the rollicking horn trills in the Eighth's Finale, the thundering timpani in the Ninth's Scherzo; the interplay between winds, strings, and brass in the coda of the Eighth's Scherzo; the lush string tone in the Ninth's Largo; the headlong rush of the Eighth's opening Allegro con brio; or the awesome power of the Ninth's closing Allegro con fuoco. Although there are dozens of great recordings of both these works, these performances deserve to be heard by anyone who loves life, love, and joy. While Channel Classics' digital sound is a bit thin, it is also very clear, very clean, and very, very colorful.

Antonin Dvorák Symphony No.9 in E minor ("From the New World"), B.178 (Op.95) (first published as No.5) 2000 41:21

Antonin Dvorák Symphony No.8 in G major, B.163 (Op.88) (first published as No.4) 2000 36:51

Performed by: Ivan Fischer, Budapest Festival Orchestra, Antonin Dvorák, Clive Bennett, Hein Dekker

Jim Leonard, allmusic.com
20 June 2010

 

For me, Fischer`s Faust Symphony is a clear front runner - more spontaneous than Rattle`s, more agile than Bernstein`s and better focused that Sinopoli`s. Now could we please have the Dante Symphony and at least some of the tone-poems?
Gramophone, April 1998, R(ob) C(owan)
 

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